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It has been dubbed in various languages, including Hindi, Telugu, and Tamil.įrustrated from his personal and professional life Kumar Mahajan (Swwapnil) visits a Swami and finds out that a man named- Sudarshan Chakrapani has led the same life as Mahajan.
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Samantar is one of the highly-rated Marathi web series starring Swwapnil Joshi in the key role. Geriatric millennials would be all over that show, I’m sure-if only it were, by any definition of the word, good.Star Cast: Swwapnil Joshi, Tejaswini Pandit, Nitish Bharadwaj, and Ganesh Revdekar We could probably use more tales about 30-something women mourning their wild youths, too men have certainly had their say on the topic over the years. While TV’s depictions of women’s sexuality have improved since Sex and the City, it’s still rare to see a series created by a woman (Stacy Rukeyser, also of UnREAL), who recruits a mostly female writing team to flesh out a libidinous female lead and hires all female directors as well as a female intimacy coordinator to capture that character’s pleasure. But it’s a shame to have to place this show in that category, because it’s the kind of project I’d rather root for. There’s another kind of enjoyment to be wrung from storytelling that’s so bad, it’s funny. “This is where it all happened-where I felt like my best self.” (Note to screenwriters: there is one Ground Zero in Manhattan, and it isn’t in Soho.)Īs the Fifty Shades franchise demonstrated, there’s a fine line between intentionally hot and unintentionally hilarious, and Sex/Life crosses it just as often as its predecessor. Has any real person ever rhapsodized over “game-changing sex” or, in the throes of lust, referred to a certain body part as a “joystick”? Some utterances consist almost exclusively of cliché: “This neighborhood was ground zero for our crazy nights on the town,” Billie recalls.
And while the material doesn’t require Phoebe-Waller-Bridge-level dialogue, it shouldn’t be so awful that it takes you out of the scene. At one point, Cooper frets that he hasn’t been as adventurous in the bedroom with Billie as she was with Brad-which is funny because, as far as I could tell, her encounters are weirdly similar. There are plenty of R-rated scenes-so many, actually, that they get repetitive.
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So, now that Brad has crept back into Billie’s fantasies-and, we learn, vice versa-does poor, hot, dependable Good Guy Cooper stand a chance? And what will Cooper do when he reads all about it in the journal she’s been keeping, without so much as password protection, on her laptop? Well, besides tear a strap off her nightgown and bend her over the kitchen island.īut Sex/Life drowns itself in the shallow end, so to speak, by failing to even generate much heat.
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Christian Grey, but replace the flogger collection with a full set of mint-condition, original-pressing Velvet Underground records. Above all, he is a Bad Boy-brooding, mercurial, wounded, roguish, prone to shattering the hearts of even the toughest, most self-assured women. In fact, he’s a record producer and label owner rich enough to own a cavernous penthouse whose rooftop pool offers a breathtaking skyline view. “Yeah, something like that,” Brad murmurs.
In one of many violet-hued, lust-inflected flashbacks, we watch him rescue her from the clutches of a would-be rapist on the street outside some implausible hybrid of grungy Lower East Side rock dive and sweaty Midtown meat market. Like Billie, Sasha was wild-and, we learn from purring voiceover narration, “all that wildness brought us downtown, almost every Saturday night, to the Ludlow Street Cafe, and one equally wild lead singer, drummer, bassist after another.”Īnyway! For many of those debauched years, Billie was cycling through periods of rapture and agony with a tall, black-clad, Australian-accented dreamboat named, obviously, Brad ( UnREAL’s Adam Demos).
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Yet she’s unsatisfied, because she spends her ample free time daydreaming of her unencumbered 20s, when she ran around Manhattan flanked by her best friend Sasha (Margaret Odette from Sleeping With Other People), a fellow psychology Ph.D student at Columbia. and works as the full-time mom to two young kids-a job that, thanks to preschool and domestic staff, essentially consists of lounging around her luxurious home in a nap dress, waiting for her hunky finance-guy husband Cooper ( The Brave alum Mike Vogel) to come home.
When we meet Billie Connelly (Sarah Shahi, doing the best possible job under the circumstances), she lives in ritzy Greenwich, Conn. Inspired by BB Easton’s 44 Chapters About 4 Men, a self-published memoir whose ascent calls to mind the Fifty Shades juggernaut, Sex/Life chronicles one woman’s descent into obsession with her ex-boyfriend.